2022 Blindspot Pick #8: Shutter Island (2010)

Tags

Drama, Mystery, Thriller

The mind has many corners in its many-wrinkled maze,
To hide from heavy burdens that it cannot hope to raise.
The layers of its labyrinth stretch to depths we cannot guess,
And how deeply we flee depends upon our yesterdays.

While most of us can cope with just the top tiers meant for stress,
The world at its most wicked makes us seek a dark recess.
And if we lose our way, the dark that darkness drove us to
May keep us from escaping our escaping in excess.
________________________

MPA rating: R (for violence, language, and brief nudity)

A Merry belated Christmas to all! I may have given up on reviewing all my 2022 Blindspots before the end of the year, but I think I can at least watch them all before year’s end. The reviews will catch up in good time. To be honest, I haven’t seen many Martin Scorsese movies, so I figured I should address that by starting with the one that seemed to have the most intrigue to it. Based on Dennis Lehane’s novel, Shutter Island is a psychological thriller that thrives on its foreboding atmosphere and strong performances, even if it ends up feeling like a mid-tier M. Night Shyamalan plot.

Leonardo DiCaprio delivers an intense performance as U.S. Marshal Teddy Daniels, who arrives with his new partner Chuck (Mark Ruffalo) to the titular island’s Ashecliffe Hospital for the criminally insane to investigate a recently escaped prisoner/patient. Despite requesting their help, the hospital’s head psychiatrist Dr. Cawley (Ben Kingsley) is hesitant to divulge certain information to the marshals, even as a hurricane moves in to wreak havoc on the island. As Daniels becomes more and more haunted by his own past traumas, he begins to question reality and what kind of conspiracy he has come to confront.

It’s a bit surprising that, despite its acclaimed director and star, Shutter Island failed to generate any awards nominations, aside from a National Board of Review nod. Whether you connect with the story or not, there’s no denying the skill with which it was made: the dingy lighting, the ominous cinematography, the subtle performances. Inception was easily DiCaprio’s better puzzle-box film that year, but it’s still interesting that this film couldn’t snag a single nomination.

I was rather shocked while admiring an especially poignant portion of the musical score as I realized that I had heard it before in another film: “On the Nature of Daylight” by Max Richter added the same emotional gut punch to the ending of Arrival (far more effectively, in my opinion) and other films and TV shows besides. I didn’t realize till afterward that this track was not original to either film or that the entire soundtrack of Shutter Island comprised pre-released classical music.

Perhaps it didn’t help that I had some idea of what the film’s key twist would be. I credit the screenplay for still keeping me guessing and wondering if I was right or not, but yes, I was right. Not to say the film’s reveal wasn’t still effective and heartbreaking, but it didn’t have the same punch as something completely unforeseen. Overall, Shutter Island reminded me a bit of Nightmare Alley in its masterfully composed story and dark setting that I appreciated without being truly drawn into, probably because of its ending clearly designed to foster thoughtfulness in the audience rather than satisfaction. But it’s still an excellent genre piece ripe for theorizing that will no doubt reward further rewatches, which could perhaps raise my opinion of it even more.

Best lines: (Rachel Solando) “People tell the world you’re crazy, and all your protests to the contrary just confirm what they’re saying.”
(Teddy) “I’m not following you, I’m sorry.”
(Rachel) “Once you’re declared insane, then anything you do is called part of that insanity. Reasonable protests are denial, valid fears paranoia…”
(Teddy) “Survival instincts are defense mechanisms.”
(Rachel) “You’re smarter than you look, Marshal. That’s probably not a good thing.”

Rank: List Runner-Up

© 2022 S.G. Liput
783 Followers and Counting

2022 Blindspot Pick #7: Murder By Death (1976)

Tags

Comedy, Mystery

When someone’s suspiciously murdered (which happens all the time
According to TV and film and cozy books on crime),
We normal people just freak out, too shocked to even try,
But sleuths will quickly get to work deducing who and why.

What makes a sleuth is hard to say. They’re curious and bold,
Perceptive often to a fault, and don’t do as they’re told.
They let the wheels of logic turn before they chance a guess,
And where the experts fail with more, they find success with less.

These traits are hardly out of reach, quite feasible in truth,
So average folks like you and me could well become a sleuth.
But sleuths depend on one external factor to arise:
They need the luck to be nearby when someone up and dies.
_____________________________

MPA rating: PG

Even though good ones like Knives Out and See How They Run are still being made, the murder mystery formula is old hat nowadays, and Murder by Death shows it was old hat back in 1976 too. Yet well-worn genres are ripe for parody, especially when writer Neil Simon and a star-studded cast join forces to poke fun at the most recognizable archetypes.

Having seen Glass Onion recently (review pending), I was struck by how similar the setup of that film is to this one’s premise. All the characters are invited to the home of wealthy eccentric Lionel Twain (Truman Capote in a rare acting role that earned him a Golden Globe nomination) and challenged to solve a murder. All of the main guests are acclaimed crime solvers and represent famous fictional detectives, including stand-ins for Hercule Poirot (James Coco), Sam Spade (Peter Falk), Nick and Nora Charles (David Niven and Maggie Smith), Miss Marple (Elsa Lanchester), and Charlie Chan (Peter Sellers in a yellowface role that would definitely not fly nowadays). Beyond those stars, the cast also features Sir Alec Guinness as a blind butler (which is as ridiculous as it sounds) who makes an amusing pair with a new deaf-mute cook (Nancy Walker), as well as Eileen Brennan, Estelle Winwood, and the very first role for James Cromwell.

On the scale of parody, I’d place Murder by Death somewhere around the silliness level of Mel Brooks’ lesser offerings. For most of the film, it plays as a legitimate mystery with injections of zany absurdity and dubious plot twists, and it’s a unique pleasure to have these familiar-ish detectives bounce off each other and trade one-liners, from the preening Coco to the snobby Niven to the hard-boiled Falk. Unfortunately, Sellers’ very presence with his big teeth and broken English is the picture of retroactive racism, furthered by Falk’s prejudiced interactions with him, but he still does a decent job in representing the analytical wisdom of his inspiration, still played for laughs of course. (On another note, I kind of wish there was a Charlie Chan adaptation with an actual Asian actor, modernized the way Shang-Chi was to avoid stereotypes, maybe even about his real-life inspiration Chang Apana.)

Not everyone has enough to do, with Lanchester’s character standing out the least, but Simon’s clever dialogue keeps things entertaining throughout. As an almost chamber piece, it could have made a good stage play as well. By the end, it leans more on screwball parody with a flurry of plot twists that don’t make any sense for the whodunnit but are certainly worth a chuckle, if not the laugh-out-loud experience the film was marketed to be. Likable and dated in equal measure, Murder by Death can’t compare with the recent renaissance of murder mysteries, but it’s a fun ride for those wanting to poke fun at the genre. I think I preferred Clue, though.

Best line: (Sam Diamond, played by Falk) “Locked, from the inside. That can only mean one thing. And I don’t know what it is.”

Rank: Honorable Mention

© 2022 S.G. Liput
783 Followers and Counting

2022 Blindspot Pick #6: Chef (2014)

Tags

Drama

If life were like a recipe,
We’d follow every step and see
If what we’ve done or tried to do
Produced the proper cake or stew
Or coq au vin or cordon bleu
Or tonkatsu or what-have-you.

We’d quickly know where we went wrong,
Like where the salt’s a bit too strong
Or where the spice got out of hand,
Where fresh is favored over canned
Or where the flavor grew too bland.
It would be simpler if pre-planned.

But life’s not like a recipe.
More often, it’s a mess, and we
Must guess on times and quantities,
Ingredients and potencies.
And sometimes we pair fish with cheese
And wish we had more expertise.

But trial and error bear their fruits
(Ideally fending off lawsuits),
And soon the recipe is clear
In retrospect, without veneer.
Sometimes it takes a whole career
To be the chef who cooks by ear.
_________________________

MPA rating: R (solely for language)

As December progresses, I feel like I’m in a race to see if I can cram the rest of this year’s Blindspots into the weeks remaining. Writer’s block doesn’t help, but a good movie certainly does. Chef has long been in my backlog as a widely lauded film that I just never got around to watching until now. Trained and co-produced by food truck chef Roy Choi, director Jon Favreau also plays Carl Casper, the head chef of a distinguished restaurant in L.A. that is sorely in need of a positive review from a critical blogger (Oliver Platt). Yet when Carl runs afoul of his employer (Dustin Hoffman) and makes a highly public mistake, he is forced to revamp his career by trying something new, namely opening a Cuban food truck that might just bring him closer to his son Percy (Emjay Anthony) and ex-wife Inez (Sofia Vergara) along the way.

Chef definitely seems like a film tailored for me. Not only has my family long been faithful Food Network viewers, but I even owned and operated my own food cart business, selling hot dogs for a grand total of three months. I’ve probably told this story on the blog before, but it’s one that I often look back on as a huge mistake. So I had mixed feelings watching Favreau’s Carl find almost immediate success with his venture; there is vicarious satisfaction at seeing someone else succeed, mixed with a tinge of bitter jealousy whispering “It wouldn’t have been that easy. He would have needed more permits.” But I digress. The satisfaction was louder anyway.

As a food lover, I was delighted by the delectable dishes throughout the film, from a sumptuous pasta Carl concocts as a sort-of date night to a gourmet grilled cheese sandwich that Carl’s son doesn’t fully appreciate. The love of food infuses much of the story, especially as Carl tries to instill his own passion into his son, telling him of the joys of New Orleans beignets or urging him to never grow complacent in serving anything but the best. Plus, despite my earlier complaint, there’s a likable genuineness to the script as well, such as the waggish kitchen banter with Carl and his sous chefs (John Leguizamo, Bobby Cannavale). That also extends to the relationships; Percy craves the attention of his dad, yet Carl is far from an absentee father, just constantly distracted, so it’s easy to see how he might think he’s doing enough as a dad. Their mutual bonding over food and the work that goes into it is a joy to watch.

Chef does have its flaws, taking a little too long with the set-up before the food truck idea gains steam, and, beyond some awkward scenes played for laughs, it’s a prime example of a film that doesn’t need its abundance of F-bombs, since it would make a solid family film without them. It was nice seeing cameos from the likes of Amy Sedaris and Favreau’s Iron Man co-stars Robert Downey Jr. and Scarlett Johansson, though it was odd seeing him flirt with the latter. Happy Hogan and Black Widow? I can’t see it. Despite all this, Chef has all the culinary love of a passion project and boasts an all-around feel-good ending that is likely to leave any viewer smiling. It’s yet another Blindspot I’m glad to finally have seen, if only for that grilled cheese recipe I’m totally going to try.

Best line: (Chef Carl Casper, to his son) “I may not do everything great in my life, but I’m good at this. I manage to touch people’s lives with what I do, and I want to share this with you.”

Rank: List Runner-Up

© 2022 S.G. Liput
782 Followers and Counting