2017 Blindspot Pick #7: In Your Eyes (2014)

Tags

Drama, Fantasy, Romance

Loneliness can be your lot
And leave you empty and distraught,
Even when alone you’re not
In daily life’s ordeal.
For life seems like an afterthought
When no one else knows how you feel.

But then the loneliness can fade,
No longer stressed, no more afraid,
When love more real cuts through charade,
And lonely souls are paired.
For newer joys are worth the trade
When feelings, thoughts, and love are shared.
_____________________

MPAA rating: Not Rated (could have been PG-13, but more R due to periodic profanity and some sensuality)

I chose In Your Eyes as one of my Blindspots because of the positive reviews I’d seen from some of my fellow bloggers, and my interest was further piqued by comparisons to last year’s anime hit Your Name. Whereas Your Name involves two strangers actually switching bodies, In Your Eyes features a telepathic (or more accurately, empathic) link between two random people on opposite sides of the country. Based on a decades-in-the-making screenplay by Joss Whedon and directed by Brin Hill, this supernatural romance certainly has its odd parts but incorporates a lot of what I love about the genre.

The two leads are played by Cloverfield’s Michael Stahl-David and Ruby Sparks’ Zoe Kazan, the former as a New Mexico parolee named Dylan and the latter as a New Hampshire trophy wife named Rebecca. Little do they know that they have shared a mental link since childhood, when one’s sledding accident somehow affected them both, but suddenly, it becomes strong enough to allow them to converse with each other and see what the other is seeing. I was a bit annoyed at first that there was no explanation or trigger to the sudden strengthening of their bond, aside from “Why not?” But then I recalled that Your Name didn’t have a very clear reason either, so it’s perhaps best to just roll with it since these cosmic movie connections are hard to clarify in reality.

Despite being separated for most of the film, Kazan and Stahl-David have engaging chemistry to spare. Their long-distance conversations feel natural to us since it’s as if they’re talking on the phone, but to everyone else, it looks like they’re talking to themselves or suffering bizarre outbursts that elicit worry and sideways glances from those nearby. (My VC actually thought it was stupid that they kept talking to each other out loud with no thought to how crazy they looked to others.) As with Taki and Mitsuha in Your Name, they learn a lot about each other, from past stresses to present foibles, through the rare opportunity of vicariously witnessing the other’s life. I especially liked how one tends to comment on what’s happening to the other, a voice in the head they have to try to ignore, like the hologram Al from Quantum Leap.

Also worth noting are the direction and cinematography, which infuse many scenes with a luminous quality that enhances the enchantment of their unusual bond. The contrasting settings also heighten the distance between them, from Dylan’s orange desert to Rebecca’s blue-tinged snowscapes. The editing does well in visualizing their shared feelings, culminating in a bizarre but sensual bedroom scene. (Is there even a word for that? Long-distance intimacy?)

As much as I enjoyed both the romance and fantasy aspects, I must admit I didn’t love In Your Eyes quite as much as I’d hoped. It isn’t just the lack of explanation or the oddness of the very concept. The climax builds to a satisfying final scene, but all the events leading up to it are left open-ended, making me think there will be lots of unaddressed bumps on the road to a happy ending. Plus, as good as In Your Eyes is, I think Your Name did a similar story better, just as it did with The Lake House. Even so, In Your Eyes deserves a lot more attention than the few bloggers who have tried to promote it. For any fan of unorthodox romance or extramundane relationships, it’s definitely worth your time.

Best line: (Rebecca, realizing who she’s talking to the first time) “Wait, you’re real. You’re a real person!”   (Dylan) “Oh, that’s the sweetest thing anybody’s said to me all day.”

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
497 Followers and Counting

 

Top Twelve Less Obvious Christmas Movies: Christmas in July Blogathon 2017

Who better to celebrate Christmas in July with than Drew and his annual Christmas in July Blogathon? Avoiding the usual Christmas staples, I compiled a Top Twelve list of movies you may not associate with Christmas but do boast some holiday spirit if you know where to look. Be sure to check out the other Christmas posts from everyone else who joined the party!

Drew's Movie Reviews

Welcome to day 2 of this year’s Christmas in July Blogathon, everyone! Today, SG from Rhyme and Reason joins in the festivities. If you aren’t familiar with SG and his blog, he mixes two of his passions: poetry and film. It is a rather fun and unique idea and he brings that creativity to this blogathon. Instead of doing another ol’ movie review, he is listing off twelve of his favorite movies that might not seem like Christmas movies at first glance. Curious to see what they are? Well continue reading to find out!

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In trying to think of something unique for this Christmas in July Blogathon, I tried to steer away from all the usual Christmas movies I could review. Instead, I’m focusing on the movies you may not associate with Christmas. In fact, some of these may not seem like Christmas movies at all, but it’s there if…

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Opinion Battles Round 14 Favourite Tom Hanks Role

Don’t forget to vote for your favorite Tom Hanks role in Round 14 of Opinion Battles! There are so many great ones to choose from, and while a certain cowboy doll seems favored, I had to side with the one and only Forrest Gump. Which role do you think is his best?

Movie Reviews 101

Opinion Battles Round 14

Favourite Tom Hanks Role

Tom Hanks is one of the iconic actors of the modern era, two Oscar wins to his name as well as coming off as one of the nicest men in Hollywood. He has grown up too soon, fallen in love with Meg Ryan three times, gone into space, been left on an island and even saved a plane for of people after saving Matt Damon. The question is what the role we enjoy watching the most from him.

If you want to join the next round of Opinion Battles we will be take on Favourite Christopher Nolan Movie, to enter email your choice to moviereviews101@yahoo.co.ukby Saturday 21^st July 2017.

Darren – Movie Reviews 101

Michael Sullivan – Road to Perdition

Michael is a hitman for the mob, when he turned on by his boss he must go on the run…

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Split (2017)

Tags

Drama, Horror, Thriller

Here I sit and calmly wait
As others take the stage for now,
The normal ones who dominate
And cast their glares of fear and hate
Because they know my time will come,
No matter what they may allow.

Within our host, I wait my turn,
For others must prepare my way.
I’m just a rumor, no concern,
Until too late, the normals learn
That darkness kept beneath their thumb
Will be set free, and they will pay.
______________

MPAA rating: PG-13

After reaching an atrocious low with The Last Airbender, it seems M. Night Shyamalan has enacted a comeback, a return to the well-crafted psychological thrillers that first made him a household name. Found-footage horror The Visit was an improvement, wringing tension from a low budget, even if the story had holes and strange parts to criticize. And now, Split is another step in the right direction, boasting elements that are deserving of genuine praise, even if it’s not at the same level as Shyamalan’s early work, like Unbreakable.

The captivity thriller seems to be a popular subgenre of late, including 10 Cloverfield Lane, Pet, Berlin Syndrome, and of course, Split (or, as I call it, Sybil meets Psycho). Right from the start, outcast highschooler Casey (Anya Taylor-Joy) is abducted with two of her more popular classmates, Claire (Haley Lu Richardson) and Marcia (Jessica Sula), and they awake in a small locked room. Their kidnapper Kevin Crumb (James McAvoy) acts like different people whenever he interacts with them, and sessions with his understanding psychologist (Betty Buckley) reveal that he actually has 23 separate identities. We only get to see eight at the most, but three in particular have taken control of Kevin and, by kidnapping the girls, are preparing for the arrival of a much more dangerous personality called the Beast.

The best thing about Split is James McAvoy simply because, without his phenomenal acting, the film could collapse under a weaker performance. Whether he’s an OCD-ridden pervert, a threateningly proper matron, or a mischievous little boy named Hedwig, his acting, accent, and body language really sell Kevin’s divided character. He even manages to act as one personality pretending to be another personality. Betty Buckley and Anya Taylor-Joy do fine work as well, with the former convincingly laying out exposition and the latter capturing the fear of trying to keep her wits about her.

Unfortunately, Split’s sad and disturbing narrative makes it a film I’m not likely to see often. Aside from the claustrophobic captivity aspect and tension, which were also well-done in 10 Cloverfield Lane, there were moments that could have benefited from a rewrite or better editing, like the protracted kidnapping scene, which had me thinking “Why doesn’t she dart out the door?” rather than holding me on the edge of my seat. One bizarre dance scene with the Hedwig personality reminded me that, as with The Visit, I don’t think Shyamalan’s attempts at comic relief work as he intends; it’s just a very strange scene, even if it were done by the 9-year-old boy Kevin thinks he is.

My biggest complaint comes toward the end, where the already disturbing storyline turns murderous and goes a bit too far for me and my VC, even if there’s restraint in what is actually shown. I appreciated the semi-twist that made sense for the traumas shared by Kevin and Casey, but the ending doesn’t provide much closure to anyone’s story. Perhaps I’ll appreciate Split more with the arrival of the announced sequel it’s clearly leading into, and I’ll admit I’m more excited for that follow-up than I was about Split.

Even with my objections, Split is a definite step up for Shyamalan, well-acted and taut, and promises even more intriguing things to come. It’s perhaps best thought of as the birth of a supervillain, and while it succeeds in creating a dangerous and conflicted character, I’m more interested in the hero he’ll oppose.

Best line: (9-year-old Hedwig, after awkwardly kissing Casey) “You might be pregnant now.”

 

Rank: Honorable Mention

 

© 2017 S.G. Liput
497 Followers and Counting

 

Kung Fu Panda 3 (2016)

Tags

Action, Animation, Comedy, Dreamworks, Family, Fantasy

Between one parent and one child,
Their love is uncomplicated,
Even if they’re not related
Or may feel somehow exiled.

Will it change, their love compiled,
If a parent is located
From which they were separated
And the two are reconciled?

Some may fear they’ll be reviled
At reunions long-awaited,
Yet how can love be ever faded
Between a parent and their child?
________________

MPAA rating: PG

It may have seemed that DreamWorks was just planning to milk its past success with minimum effort when it released a third Kung Fu Panda in the usually lackluster month of January last year. However, Kung Fu Panda 3 managed to exceed expectations and end the franchise on a surprisingly solid note, building on its prequels with a satisfying conclusion.

After the final scene of Kung Fu Panda 2, where Po’s real not-dead father Li Shang (Bryan Cranston) realizes his son is alive, we get to see father and son reunite early on, only to be threatened by a new adversary named Kai (J.K. Simmons), a yak from the Spirit World who drains others’ chi energy. While Kai builds an army by turning kung fu masters into jade zombies (yes, jombies), Po (Jack Black) follows his father to his home in a distant village of pandas, where Po hopes to train but ends up enjoying the life among his own kind that he never knew.

Kung Fu Panda 3 continues the strengths and weaknesses of its predecessors, including some stellar fight choreography and animation, as well as a lack of character development for Poe’s comrades, the Furious Five, except for Tigress (Angelina Jolie). Where it excels in the character department is Po and his two fathers, adoptive goose father Mr. Ping (James Hong) and his biological father Li. I love how Mr. Ping has grown from an eyebrow-raising gag in the first film to a real source of heart for these movies. Here, he finds himself jealous of Po’s excitement at finding his father and wrestles with how to react to this new monopolizer of Po’s attention. Meanwhile, Li may seem selfish or unwise at times, but it’s easy to sympathize with both fathers. In addition, the fact that Li seeks out Po after realizing he’s alive makes his absence a whole lot more understandable than, say, the willing separation of Hiccup’s mom in How to Train Your Dragon 2.

Kung Fu Panda 3 does a lot to bring the franchise full circle, particularly in the return of the deceased Master Oogway (Randall Duk Kim). True, it sidelines formerly major characters like Shifu (Dustin Hoffman) and bears similarities to the first film, but Po’s family dynamic and the Spirit World villain help it stand apart. The village full of Po’s fellow lazy pandas was also cute and endearing for the most part, where I expected it to be lame and silly. Aside from the action sequences, I especially admired one underplayed sacrifice that was easily Poe’s most heroic moment of the series.

All in all, Kung Fu Panda 3 is a worthy and funny finale for a series I didn’t expect to like when the first film was released back in 2008. DreamWorks has maintained its quality in both animation and story, creating a trilogy where it’s hard to say which of the three is the best, though I’m partial to the second movie. Why it was released in January, I don’t know, but Kung Fu Panda 3 is one of DreamWorks Animation’s stronger sequels.

Best line: (Shifu) “If you only do what you can do, you’ll never be better than what you are.”

 

Rank: List-Worthy (joining the other two)

 

© 2017 S.G. Liput
497 Followers and Counting

 

VC Pick: Over the Top (1987)

Tags

Drama, Family, Sports, VC Pick

If I had rippling muscles
And a huge right arm to lend,
I’d enter contests proving
What a beast I am at moving
Other people’s arms at angles
That they were not meant to bend.

I suppose my strength would let me
Find more meaningful success,
But when limbs become this hefty,
Whether right-handed or lefty,
There are few things quite as tempting
As to prove one’s manliness.
__________________

MPAA rating: PG

Many of Sylvester Stallone’s films are designed to reinforce his manliness, the kind of machismo that automatically raises the ambient testosterone level. If there’s any doubt about who the toughest guy in the room is, just wait, and he’ll prove his muscular superiority.

That’s the kind of movie I assumed Over the Top would be based on the fact that it’s about an armwrestling competition, and that’s what it is, but not all it is. It’s also, surprisingly, a family film, in contrast to Stallone’s many R-rated actioners. He plays Lincoln Hawk (now that’s a cool ‘80s name if I ever heard one), a trucker who attempts to bond with his estranged son Michael (David Mendenhall) via a road trip, much to the chagrin of the boy’s rich, Hawk-hating grandfather Jason Cutler (Robert Loggia). As Michael’s chilly treatment of his absentee father melts in the wake of cross-country bonding, we get to see Stallone show off his armwrestling expertise. Can he use that underdog prowess to earn back his son from the intrusive grandfather? Can he defeat all the trash-talking he-men at the World Armwrestling Championship? Can he? Can he?!

You probably know the answer so, yes, Over the Top is entirely predictable, but it still manages to be enjoyably so. The first half especially engenders the same tough-guy sympathy that Stallone had in Rocky, as he tries to break down Michael’s walls and prove he’s more than the irresponsible Neanderthal Cutler considers him, with some stunning western scenery to back their father-son journey. The latter half is more typical sports stuff, with Hawk’s future, fatherhood, and everything else depending on his strong right arm. As he trains hard and progresses through the championship with accompanying encouragement and theme music, it’s hard not to feel like you’re watching an obvious variant of Rocky and The Karate Kid, but it’s still aggressively macho fun. I just didn’t understand how winning the championship would legally get Hawk’s son back or why Cutler was intent on stopping him, when I thought Hawk had already signed over his parental rights.

Even if the details are left vague, Over the Top is decent fun backed by rousing rock songs, and it’s not nearly as bad as its reputation as a bomb would indicate. By the way, the title refers to conquering the middle arm position during an armwrestling match, though I suppose it also applies to the bravado of the championship itself. Over the Top may not stand out next to most of its ‘80s brethren, but it’s worth a watch if you’re in the mood for macho.

Best line: (Hawk) “The world meets nobody halfway. When you want something, you gotta take it.”

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
497 Followers and Counting

 

Deepwater Horizon (2016)

Tags

Action, Disaster, Drama, History, Thriller

(Can be sung to “The Wreck of the Edmund Fitzgerald”)

The waves lapped the pipes, the sea’s unavailed gripes,
At the feet of Deepwater Horizon,
And no one on board thought this rig of reward
Would be one to have a surprise on.

The oil down below had had nowhere to go
Till a tube tapped the well of the ocean.
And well it had stayed under instruments made
To ensure there was no upward motion.

Till caution was dropped, and the great bubble popped
And laid waste to Deepwater Horizon,
Where before the rig’s throb, busy men on the job
Never thought they would meet their demise on.

Like ink swiftly bled, the well’s sable soul spread
On the waves of the ocean surrounding,
Although the crew tried as eleven men died
And the fire and spill were confounding.

When the morning sun’s light showed the gulf dark as night
Stretching out from Deepwater Horizon,
No worse oil spill from the maw of man’s drill
Had anyone ever laid eyes on.
_______________________

MPAA rating: PG-13 (for intensity and frequent obscenities)

From The Day After Tomorrow to 2012 to Geostorm later this year, so many disaster movies focus on wildly improbable worldwide catastrophes that it’s easy to forget how visceral a real-life disaster can be. Deepwater Horizon may follow the trend of making a movie about any recent event of media significance (like Patriot’s Day, also from director Peter Berg and star Mark Wahlberg), but it’s far from a cash-grab and uses that genuine intensity to remind audiences of just how bad the 2010 BP oil spill was at its start.

The first half has the workaday detail of a documentary, with much resemblance to the docudrama credibility of Captain Phillips. I can’t speak to how close the film is to the actual events, but the re-creation of the Deepwater Horizon rig is entirely convincing and never once had me doubting the truth of what was shown. There’s not an abundance of character development, but it’s easy to identify with the everyman likes of Wahlberg, Gina Rodriguez, and Kurt Russell as the supervisor fondly called “Mr. Jimmy.” True, the beginning threatens to get dull with all the technical jargon, but there’s the constant threat of what we know will happen. And that culmination doesn’t disappoint.

When the actual disaster starts, the explosions rarely let up, and it’s a thrilling and incendiary experience, of course from the comfort of one’s living room. It never was tainted by easily recognizable CGI, and it well deserved its Oscar nominations for Visual Effects and Sound Editing. Even if most of the casualties don’t have the emotional impact of similar films, the loss of life is stressed by the end, with a rare focus on each and every victim before the credits. After the intensity of the accident itself, I also welcomed the relieved prayer that followed the survivors’ escape; it was a believable religious aspect often lacking from other disaster flicks.

Deepwater Horizon offers a cinematic thrill while also making you dislike BP executives more than you thought you did, personified by the smarmy, corner-cutting manager played by John Malkovich, who’s good as usual but a bit overly snide. Like Wahlberg’s character, I wondered if he was on medication. Thanks to its potent realism before, during, and after the calamity, well-executed from start to finish, I’d say Deepwater Horizon is one of the best disaster films of recent years.

 

Rank: List Runner-Up

 

© 2017 S.G. Liput
496 Followers and Counting

 

Opinion Battles Round 13 Which Animated Film would you NEVER like to see made into a live Action Film?

Don’t forget to vote in Round 13 of Opinion Battles and pick which animated film you never want to see given a live-action makeover. I chose The Lion King, even though it’s being remade as we speak, because how can any CGI match Disney’s original? Which potential travesty do you dread most?

Movie Reviews 101

Opinion Battles Round 13

Which Animated Film would you NEVER like to see made into a live Action Film?

Hollywood has gotten into a habit of remake animated movies into live action twists of the much-loved tales, be it Cinderella, Jungle Book, Beauty and the Beast or Maleficent. Every time we hear of the next played adaptation we react the same with Aladdin, Mulan and The Lion King planned, we need to get our rants out with the ones we don’t want to see.

If you want to join the next round of Opinion Battles we will be take on Favourite Tom Hanks Role, to enter email your choice to moviereviews101@yahoo.co.ukby 7^th July 2017.

Darren – Movie Reviews 101

Up

I must go with Up, thee adventure the young boy scout Russell and elderly man Carl Fredricksen as Carl wants to go on the adventure that he failed…

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Guardians of the Galaxy Vol. 2 (2017)

Tags

Action, Comedy, Sci-fi, Superhero

 

The galaxy sure has its share
Of foes waging cosmic warfare.
It’s a good thing that you
On the earth have no clue
That extinction is not all that rare.
It’s also a plus
Heroes do fight for us,
Though we earthlings are still unaware.
_______________

MPAA rating: PG-13

My regard for the first Guardians of the Galaxy makes me feel like I’m in the minority. I missed its theatrical run, and the hype was so positive that, when I finally got around to seeing it, it didn’t hit me the same as everyone else. Don’t get me wrong; I enjoyed it, but not like everyone who immediately fell in love with this offbeat surprise among Marvel’s roster. Seeing it again has helped me warm up to it more, but I still don’t quite think it’s one of the best Marvel movies ever like so many others out there do. So I approached Volume 2 from the viewpoint of a fan but not a zealous one, and I don’t think my expectations were too high. Given that opinion, I can say that I think I enjoyed Volume 2 more, at least on my first watch.

Guardians of the Galaxy Vol. 2 has much of the appeal of the first film, first and foremost its diverse cast of misfits: roguish leader Peter Quill (Chris Pratt), skilled former assassin Gamora (Zoe Saldana), muscle-bound comic relief Drax (Dave Bautista), ornery tech genius Rocket the Raccoon (Bradley Cooper), and lovable tree Groot (voice-lightened Vin Diesel), who after being “destroyed” in the last movie has regrown as the cutest piece of dancing wood you’ll ever see. Their very first scene together is like a snapshot of their group appeal, combining action, humor, and a toe-tapping ‘70s song into one of the most fun opening credits scenes I can think of. From that high point, the film delves into further universe-building as the team manages to anger an alien empire, become a bounty target, and meet Peter’s absentee father Ego, a godlike entity who’s eager to reconnect with his son and looks a lot like Kurt Russell.

Between Volumes 1 and 2, I’m still not decided on which Guardians film is better, but I do recognize one advantage of Volume 2, which is directly owed to its status as a sequel. Even with all the praise you can throw at the first one, you must admit it’s a heavily stuffed caper. People criticize Spider-Man 3 and Batman v. Superman for being overstuffed with plot and characters, but Guardians of the Galaxy does the same thing, throwing together five completely unknown characters and multiple exotic alien locations, with the sole reference point for the rest of the MCU being the barely seen uber-villain Thanos. Guardians blithely sidestepped the usual issues of being so jam-packed with its highly entertaining music and sense of humor, but it’s still a lot to take in, or was upon a single viewing.

Volume 2 has the benefit of building on everything the first film introduced without the potential confusion, like the discussion of getting the stone back from Ronin to save Xandar to give to Yondu while Colonel Mustard uses the wrench in the library. (It’s the same principle that makes me favor Marvel’s tactic of assembling the Avengers from heroes who already had stand-alone movies, as opposed to DC’s throwing together its Justice League characters and then giving them their own stories.) Here, we already know the main five, and they’re broken into two groups, which allows different relationships to develop and the secondary characters to get the much-needed development the first film couldn’t afford. Peter’s lawless adoptive father Yondu is given much more depth and backstory than his first appearance (as well as a stylish action centerpiece) and grows as both a captain among the Ravagers and in his relationship with Peter. Likewise, we get a telling look into the motivations of Gamora’s rival sister Nebula (Karen Gillan), who had little impact at all in the first movie but now actually seems relevant to the team. I also rather liked the naïve newest member, Mantis (Pom Klementieff), who gets some strange bonding moments with Drax. Kurt Russell does well too as Ego, and the uncertainty of his intentions is made clear with what I found to be a shocking reveal.

One common semi-complaint I’ve seen for Guardians 2 is that it’s a little too eager to please, coming on the heels of its surprisingly successful predecessor. I suppose that’s the case, but I felt the same way about the first film, which had several jokes that I thought were trying too hard to be funny.  Volume 2 has the same ribald sense of humor, which is still hilarious more often than not. Rocket’s sense of humor is still a little off, but Baby Groot is an adorable improvement over his adult version, and Drax in particular is a reliable hoot every time he bursts into raucous laughter, even if his original misunderstanding of metaphor has been replaced by wildly inappropriate honesty.

As a follow-up to the original lark that caught everyone off-guard, Guardians of the Galaxy Vol. 2 is great fun and a winning example of a summer blockbuster, complete with laughs, awe-inspiring visuals, a surprisingly emotional conclusion, and some healthy doses of ELO and Cat Stevens, though I’ll admit I didn’t recognize most of the soundtrack. (It’s still great, but maybe not quite as memorable as the first film’s.) There are still things I would do differently, especially with some of the more off-color jokes, and I am a little bothered by the huge body count of what was meant to be one of the best scenes and by the fact that Rocket, who with Groot has his own Disney XD cartoon for kids, has to be the most sociopathic and foul-mouthed of the group. Even so, I was thoroughly entertained from the awesome opening to the tearful denouement, plus the mid-credits scenes which only the most well-versed comic fans will completely understand (I didn’t). I may be the only one who enjoyed Volume 2 more, but I think most would agree that the Guardians are better developed for their inevitable meeting with the Avengers in Infinity War. That will really be something to see!

Best line: (Drax) “There are two types of beings in the universe: those who dance, and those who do not.”   (Peter) “I get it, yes. I am a dancer, Gamora is not.”   (Drax) “You need to find a woman who’s pathetic, like you.”

 

Rank: List-Worthy (joining the first film)

 

© 2017 S.G. Liput
495 Followers and Counting

 

Harvey (1950)

Tags

Comedy, Drama, Fantasy

Imaginary friends are such
That we don’t miss them very much
And so forget the joy that comes
From pals we cannot see or touch.

The fanciful are easy to mock.
We question sanity and gawk,
But everyone needs someone else
With whom to drink and laugh and talk.

And what the “sane” perhaps don’t see
In what we call imaginary
Is something we too often miss
In our mundane reality.
__________________

MPAA rating: Not Rated (easily G)

I watched Harvey for two main reasons: (1) It’s one of those universally liked classics that all fans of film should or feel like they should see, and (2) I love Jimmy Stewart, who earned an Oscar nomination for the kind of role that doesn’t initially seem worthy of an Oscar. As Elwood P. Dowd, he’s a genial, soft-spoken alcoholic happy to while away the hours visiting the bar and inviting strangers home for dinner. The trouble is that he’s utterly sincere in his friendship with a six-foot-plus invisible rabbit by the obvious name of Harvey.

While I have been familiar with the basic concept of Harvey for years, I didn’t know what to expect from the actual storyline. My VC had seen it long ago and remembered it as vaguely weird, and that was largely my opinion through the first half, or the first two-thirds really. Dowd obliviously walks around introducing acquaintances to his large unseen pal, while his sister Veta (Oscar-winning Josephine Hull) and his niece (Victoria Horne) bemoan the damage this does to their social reputation and vow to lock him away in a sanitarium. There are plenty of comical misadventures for secondary characters that drive the plot, most of which Dowd remains heedless of, and I found myself more annoyed than amused that much of the humor relied on misunderstandings that could easily be solved by a simple turn of the head or a more careful choice of words.

Yet, the latter third of the film places Dowd’s potential “mental illness” into a wider context of fantasy vs. reality and dull normalcy vs. eccentric kindness. Whereas what came before was simply Dowd’s peculiar routine, which seemed deranged to the outside eye, Stewart gives him more depth with some simple but keenly heartfelt conversations that make the prospect of an invisible pooka more enviable than pitiable. While Hull’s busybody panic and Stewart’s sincerity make the most of a rather uninvolving beginning/middle, the end helped me see Harvey’s classic appeal. It will never be among my favorites, but, like Dowd himself, it had a gentle charm and was, above all, “pleasant.”

Best line: (Aunt Veta, to her niece) “Myrtle Mae, you have a lot to learn, and I hope you never learn it.”

 

Rank: Honorable Mention

 

© 2017 S.G. Liput
494 Followers and Counting