Well, April is over, and National Poetry Writing Month is done with it. It was once again a fun challenge writing a poem and review every day of the month, and NaPoWriMo went by way faster than I thought it would. I was prepared to possibly miss a day, and now I’m looking back and wondering how I kept up!
A big thank you to everyone who read, liked, commented, and encouraged me along the way! You all made it that much more enjoyable! Below is a recap of all the films reviewed throughout last month, in case anyone missed a day. Back now to business as usual, until next May rolls around!
I would normally have posted this over a month ago, but, despite the delay, I wanted to give a little sneak peek of what the rest of the year holds for us movie lovers. If I had gotten to this list earlier, I would have included the likes of Glass, How to Train Your Dragon: The Hidden World, and Captain Marvel (Alita: Battle Angel was part of my list from last year), but these are all films that I’m eagerly awaiting. If they’re as good as I hope they are, 2019 will be a very good year for film (and these are just the ones I know of so far).
The Best of Enemies
Reminiscent of Hidden Figures and Selma, the trailer for The Best of Enemies promises a riveting story of the real-life friendship between civil rights activist Ann Atwater (Taraji P. Henson) and KKK leader C. P. Ellis (Sam Rockwell). With two strong leads, I hope it will help in bridging the racial division plaguing our country.
Aladdin
In principle, I’m still not a fan of these Disney live-action remakes (The Lion King especially just feels wrong, but then again so did Beauty and the Beast), but Aladdin’s latest trailer raised my expectations. Will Smith is no Robin Williams, but he could still pull off a different kind of Genie, and the production looks sumptuous.
Cats
Cats isn’t really one of my favorite musicals, but if it means more musical films in its wake, I hope it’s a massive success.
Tolkien
I have no idea how historically accurate this film will be, but I do love a good literary biopic, and my love of The Lord of the Rings will no doubt bleed into my appreciation of Tolkien. I do hope they include his faith since it was so integral to his life and work.
Men in Black: International
My expectations are cautiously optimistic for this reboot largely unconnected to the original MIB trilogy. Still, it’s a promising reunion for Chris Hemsworth and Tessa Thompson, who are both due to show off their proven comedic chops, and perhaps it can kick-start the franchise all over again.
Yesterday
I hadn’t heard of this film till recently, but the trailer has me hyped. The Beatles are quite dear in my family, and this Twilight Zone-esque what-if plot has my interest piqued.
Frozen 2
Is the first Frozen overrated and overcommercialized? Yes. Is it still a great Disney movie worthy of an equally great sequel? Yes again. The trailer certainly captures an intriguing, darker mood than the original.
Toy Story 4
I really think they should have ended the series with Toy Story 3, but I guess we simply must trust Pixar to pull off one more fun, tear-jerking visit with Woody and Buzz.
Weathering with You
Makoto Shinkai might have the toughest job of any filmmaker this year: following up the highest-grossing anime film of all time, Your Name. There aren’t a lot of details about Weathering with You, but we know Shinkai excels at depicting clouds and rain and weather, so it will no doubt be gorgeous to behold.
Pokémon: Detective Pikachu
I’ll admit I’m strangely fascinated by this movie, based on a spin-off game from 2016. Pokémon fans I’ve talked to seem to have low expectations, but I really think this film could be great if done right. Whether a Deadpool-style Pikachu voiced by Ryan Reynolds will constitute “done right” remains to be seen, but I do wish this movie would defy the odds.
Star Wars: Episode IX
I was in the minority in loving The Last Jedi, so Star Wars: Episode IX has a doubly hard task: pleasing fans who loved its predecessor and “redeeming” the franchise for those who didn’t. I can’t wait to see how J.J. Abrams rises to the challenge.
Avengers: Endgame
After that ultimate cliffhanger at the end of Infinity War, there’s no doubt that Endgame is the most anticipated film of the year, at least in my house. I love how mum Marvel’s trailers are thus far (except for the next Spider-Man movie’s), leaving much room for hype-building speculation. I’m hoping time travel will be involved. Thank God it’s only a month away!
Other promising features in the coming year:
1917 – Sam Mendes directing a World War I movie released in late December. Probable Oscar material.
A Beautiful Day in the Neighborhood – Can’t wait to see how Tom Hanks plays Mr. Rogers in this biopic.
Ad Astra – This Brad Pitt vehicle sounds like Interstellar but potentially with aliens.
Artemis Fowl – Never got into the books, but Disney might be going for a new Harry Potter-type franchise.
Call of the Wild – Not sure how this classic retelling will combine live-action and animation, but I’m curious to find out.
Dark Phoenix – Considering I hated The Last Stand, I don’t have very high hopes for this new retelling of the Dark Phoenix saga, but you never know.
Doctor Sleep – Of all the unexpected sequels being developed, a follow-up to The Shining was particularly unexpected, but since it’s also based on a Stephen King book, this might have potential.
Dumbo – I wish Disney would lay off the live-action adaptations. I’m not really a Tim Burton fan, so only time will tell for Dumbo.
Gemini Man – The plot sounds suspiciously like Looper without time travel, but Will Smith could make this a real winner.
Jumanji sequel – Welcome to the Jungle seemed like a good standalone follow-up to the original, so I’m not sure how they’ll sequelize it with the same characters.
Knives Out – An all-star cast in an Agatha Christie-style whodunit. I’m all for it!
The Lion King – This isn’t even live-action, just a more realistic-looking animation!
Little Women – Another all-star cast in a classic novel adaptation released in late December. Can you say Oscar bait? If it’s faithful to the book, I’m hoping it won’t need the R rating so common to Oscar-worthy films these days.
Midway – A Roland Emmerich war remake could be explosive or explosively bad. We’ll see.
The New Mutants – Between this and Brightburn, horror is starting to creep into the superhero genre, and I’m not sure how I feel about it yet.
PLAYMOBIL: The Movie – Never played with Playmobil, but I like the animation here. Despite allegations of ripping off The Lego Movie, I’m more curious to see this one than the second Lego Movie.
Rocketman – An Elton John musical that has real promise.
Shazam – A superhero version of Big. Sure, why not? I’m game.
Sonic the Hedgehog – I’m less convinced on a live-action Sonic than a live-action Pokémon. Too early to tell.
Spider-Man: Far From Home – I’m sure this will be another solid Marvel/Sony collaboration, but I don’t appreciate the spoiler-ish trailers before Endgame. Still, marketing is marketing.
Terminator: Dark Fate – Like the Terminator himself, this franchise refuses to die. Will they end on a high note?
UglyDolls – I didn’t even know these toys were a thing until the trailer, but a cast full of singers promises a fun kid-friendly musical.
Us – Jordan Peele’s follow-up to Get Out looks darn scary and is getting really strong reviews. Hope it’s not too R-rated.
Here at last is another post I’ve been putting off for far too long, my annual Top Twelve of my favorite songs of the previous year. I’m always notoriously behind on catching up with movies, so a list of my top 2018 films will have to wait a bit, but songs are shorter and easier to rank (for me at least).
And boy, has 2018 been a banner year for music! And that’s despite songs that seem to indicate the end of good music as we know it, like “This Is America” or the dreadful rise of Cardi B. It was harder than usual paring down last year’s musical offerings to a mere twelve, so please forgive the excessive length of the Honorable Mentions. Honestly, most of the honorable mentions could have knocked off songs from my 2017 list if they’d had to compete, so I’d say 2018 easily outclassed its predecessor, though perhaps I’m just being exposed to more music lately.
Beyond specific songs, 2018 helped me to pin down exactly what my preferred kind of music is, which had always been rather vague and definitionless for me. It seems that it includes adjectives like “progressive,” “chill”, “tropical,” and “house”; as a fan of Kygo and Avicii, I suppose I should have known that, but it’s nice to have a label for it now. Don’t be discouraged, though, if those genres aren’t your cup of tea, since I think my list below has a fairly well-rounded mix of styles to appreciate.
On top of that, 2018 introduced me to artists that have become new instant favorites. Previous years have sort of been defined for me by one great discovery, an artist I listen to and love nearly every track of theirs (Florence and the Machine in 2016, Kygo in 2017), but 2018 had a record four! These favorites are Chvrches, Aurora, Tom Odell, and Rufus Du Sol, all of which blew me away with every song, and thankfully, they all put out new music this year. For anyone who hasn’t heard of them, do yourself a favor and check them out (perhaps in the list below), and for anyone who already loves them and is thinking “Boy, he’s late to the party,” at least I’ve finally come around to become a fellow fan. 2019 has already introduced me to other instant favorites like Sigma and Kensington, so I can’t wait to see what other discoveries await.
Do be aware that this list is entirely my personal preference, which could easily change based on my tastes and what songs I might stumble upon. (For instance, if I’d known of it, the awesome adrenaline shot that is Royal Republic’s “Getting Along” would have easily topped my list last year.) Also, I’m not including covers or rereleased songs, so my apologies to Morgxn’s “Home,” Lumidelic’s “Magic Garden,” and Bad Wolves’ version of “Zombie.” I’m aware too that this is only my personal slice of last year’s music; for a different top music list, check out Chris’s top 10 songs of 2018 at Movies and Songs 365. Lastly, if anyone has a personal favorite of their own, please share in the comments and widen my horizons further!
Thus and therefore, I present my Top Twelve Songs of 2018!
“Paradise” by George Ezra
This infectious pop tune was one of the first new songs I heard in 2018, and it’s still on this list a year later. I’ve been a bit overexposed to George Ezra, thanks to my workplace seemingly playing his entire discography on repeat, but, while “Shotgun” might have become more famous, “Paradise” is his irresistible best.
“Back Down” by Bob Moses (also “Don’t Hold Back”)
It took quite a few listens for me to fully appreciate “Back Down,” but now that I do, I can’t see why its inclusion on this list wasn’t an instant no-brainer. With vocals reminiscent of the Alan Parsons Project, it resides in a strange sweet spot between head-bopping catchiness and soothing coolness. This is the first song I’ve heard of theirs on the radio, so I hope it’s helping them reach a wider audience.
“Something Strange” by Vicetone, feat. Haley Reinhart
Oh, how I do love a heavy-handed piano! Reminiscent of Vicetone’s 2015 favorite “No Way Out,” “Something Strange” delivers an iconic piano riff that would be just as at home in an Avicii song, and it gets my head pumping every single time. Special mention also to Vicetone’s “Way Back” featuring Cozi Zuehlsdorff and “Walk Thru Fire” featuring Meron Ryan.
“Ride or Die” by The Knocks (feat. Foster the People)
It didn’t get nearly enough airplay on the radio, but “Ride or Die” is the essence of a summer hit IMO, easy to sing along to while cruising down the road. I’m still not entirely sure what the phrase “Ride or die” means, but it’s so cool that I don’t even care. (Plus, movie lovers will appreciate the music video.)
“Lucid Dream” by Owl City
Ethereal and dreamy in the best way, “Lucid Dream” is a return to the best of Owl City, conjuring imaginative mental images and a heavenly synth beat.
“Soul Train” by Just Loud, feat. Debbie Harry of Blondie (as well as “Electrified,” “Ghost,” and “Angels and Demons”)
Just Loud was yet another great discovery this year, and while it might be too soon with just one EP out, I’m tempted to label the Afro-wearing singer the new incarnation of Prince. “Electrified,” “Angels and Demons,” and “Ghost” are also solid tunes, but “Soul Train” has a uniquely funky and classic sound and jams like few rock songs have since the 1970s.
“Handyman” by AWOLNation
A subtly emotional anthem, “Handyman” was yet another early 2018 release with a memorable pensiveness that kept it popular on my playlist throughout the year. There’s something rich and satisfying about the lyrics, like “I’m not brittle; I’m just a riddle born of white, blue, and red,” but maybe that’s just the poet in me.
“Forgotten Love” by AURORA (and “Gentle Earthquakes”)
Here at last is the first member of the big four that became instant favorites this year, and despite this one coming in at #5, Norwegian singer Aurora Aksnes may be my favorite of the four. Her ballads are unlike any other music I’ve heard, and “Forgotten Love” is a prime example of the primal beauty her voice can summon, complete with a bridge in a supposedly made-up language that sounds like an ancient lost tongue. I could listen to this and all her songs on repeat . . . and often have.
TIE: “Lost in My Mind” and “Underwater” by RÜFÜS DU SOL
And here’s another discovery of mine, the Australian alternative dance band RÜFÜS DU SOL, formerly known as Rufus. Whereas other times that I mention more than one song by the same artist, anything but the main song are secondary recommendations, but this one is an outright tie, because I just couldn’t decide between the pounding, hypnotic electronica of “Lost in My Mind” and the mesmerizing, swelling beat and chant of “Underwater.” Put simply, this is my kind of music.
“Remind Me to Forget” by Kygo (and “Happy Now”)
At this point, I love these songs so much that the top 5 might as well be one massive tie, but I must give Kygo his due, as the one artist to make last year’s list and this year’s. He’s quickly become my favorite DJ, and “Remind Me to Forget” is a brilliant contribution to the genre of break-up songs. The happily bouncy “Happy Now” is also practically an undeclared tie for this spot.
“Body Talks” by The Struts
There are some songs that feel like instant rock ‘n’ roll classics, and “Body Talks” deserves a place alongside the work of artists like Queen and Joan Jett. This is energetic modern rock at its finest and has led to many a head-banging jam session in my car. The version with Kesha is good too, but I think I prefer the one with just The Struts, likely because I heard it first.
“Miracle” by Chvrches (as well as “Heaven/Hell,” “Graves,” and “Get Out”)
Chvrches was the first band I stumbled upon this year that made me wonder “Why have I not heard of this group yet?” Their synthpop style quickly captured my ears, and “Miracle” was my introduction. I’ve repeatedly second-guessed whether it should be #1 or not, but when I’m actually listening to it, the doubt disappears. The forceful drop, the chorus of “whoas,” the metaphorical single-take video – everything comes together into a luminous earworm I was glad to discover.
Now that the main list is through, here is the list of Runners-Up, listed in descending order as if the list were continuing (#13, #14, #15, etc.), and yes, I know there are a lot of them. All I can say is that this list could have been much longer; I just couldn’t post a best songs list without giving these lesser favorites a plug. Many of these are vastly underappreciated, so check them out if you’re looking for a potential new favorite.
“High Hopes” by Panic! At the Disco
“Just Got Paid” by Sigala, Ella Eyre, Meghan Trainor, feat. French Montana
“I’ll Be Gone” by Avicii, feat. Jocke Berg
“Lullaby” by Sigala, feat. Paloma Faith
“Something Human” by Muse
“Lash Out” by Alice Merton
“Gold Rush” and “Northern Lights” by Death Cab for Cutie
“Make Way” by Aloe Blacc
“It Might Get Dark” and “Sky Beaming” by White Denim
“She’s Kerosene” by The Interruptors
“If You Wanna Love Somebody” by Tom Odell
“High on Life” by Martin Garrix, feat. Bonn and “Burn Out” by Martin Garrix & Justin Mylo, feat. Dewain Whitmore
“Uh Huh” by Jade Bird
“The One” by Michael Christian & AMB (especially the Maratone Dub Remix)
“Celebration” by Lumidelic
“Quarter Past Midnight” by Bastille
“All Your Love” by Flight Facilities, featuring Dustin Tebbutt
“Electricity” by Silk City & Dua Lipa, featuring Diplo & Mark Ronson
“Promises” by Calvin Harris and Sam Smith
“Saturday Sun” by Vance Joy
“Open Doors” by Awolk
“One Thing Left to Try” by MGMT
“Shallow” and “Black Eyes” from the A Star Is Born soundtrack
“Get Up” by Shinedown
“Hunger” and “Sky Full of Song” by Florence and the Machine
“Blackout” by Frank Turner
“IJskoud” and “Diamant” by Nielson
“Guiding Light” by Mumford and Sons
“Head Above Water” by Avril Lavigne
“My Blood” by Twenty-One Pilots
“More Than I Am” by Mountain Heart
“POP/STARS” by K/DA
“Far Away Truths” by Albert Hammond, Jr.
“Without Me” by Halsey
“Ran Away” by Hollow Coves
“Somebody’s Daughter” by Tenille Townes
“Give a Little” by Maggie Rogers
“Rescue Me” by Thirty Seconds to Mars
“99” by Barns Courtney
“White Flag” by Bishop Briggs
“Missing U” by Robyn
“joy.” by for KING & COUNTRY
“I Know You Can Dance” by Chris James
“Your Side of the Bed” by Loote
“Right of Passage” and “Setting Sail” by Eastern Odyssey
“New Birth in New England” by Phosphorescent
“Last Lion of Albion” by Neko Case
“Bit Logic” by The Bottle Rockets
“Tangerines and Daffodils” by The Voodoo Children
“Apollo” by St. Paul and the Broken Bones
“A Trick of the Light” by Villagers
“Come Tomorrow” by Dave Matthews Band
“New Compassion” by Haerts
“The Somnambulist” by Echo and the Bunnymen
“In Betweenin’” by Austin Brown
“Girls” by AJ Mitchell
And as with the last two years, I wanted to end this post with a short tribute to the musical artists we lost in 2018, including Betty Willis, Ray Thomas, Dolores O’Riordan, Lari White, Leah LaBelle, Dennis Edwards, Johann Johannsson, Avicii, Bob Dorough, Yvonne Staples, Matt “Guitar” Murphy, Aretha Franklin, Ed King, Charles Aznavour, Tony Joe White, Marty Balin, Hugh McDowell, and Roy Clark. All of them will be sadly missed, but may they live on in the music they shared with the world.
Here’s to finding even more great music in the year to come!
Now that last year’s Blindspots have been wrapped up with a bow, it’s time to begin anew in the new year. (I was really hoping to post this a month ago, but better late than never.) I’ve really enjoyed this Blindspot series the last two years, finally exposing myself to some movies I’ve been meaning to see for far too long. I’m already behind for 2019, but once I catch up, I do hope I can keep to one per month and find some new favorites along the way. Thus, below are my 2019 Blindspot Picks:
Well, it’s a bit later than planned, but I’ve finally finished my Blindspot series from last year, so with great satisfaction, it’s time to rank them before starting anew. While my 2017 Blindspots resulted in at least three films added to my Top 365 List, this year had some truly great films that didn’t quite make the cut to be List-Worthy, though that’s largely because I don’t include documentaries like #1. I did actually count #2 as List-Worthy at first, but on further thought decided it lacked the rewatchability factor. Even so, I thoroughly enjoyed watching these former Blindspots, especially #9 and up and can’t wait to begin this year’s picks.
Behold, the fifth iteration of my own private compulsion, THE LIST, featuring my top 365 favorite films. My 5th blogiversary post yesterday detailed the latest additions and drop-outs, but I’ve put the newest insertions in bold so they’ll stand out more.
Last year’s additions didn’t leave much of an impression on the top 200, instead clustering in the bottom third, but it seems to me that the higher rankings of the most recent films added should give you an idea of just how much I loved them. Even so, the Top 100 remains pretty solid, with only four additions, three of which are being grouped with films that were already there. (Again, Dead Men Tell No Tales is mainly on here because it continues the original Pirates trilogy).
Perhaps because I haven’t had a lot of time to revise, the rankings of existing films haven’t been touched much (Your Name went up; Out of Africa went down, but no major shakeups). Seven additions are being grouped with their respective franchises, and I’ll admit to cheating with a tie here and there when faced with two very similar and closely ranked films (e.g., A Quiet Place with Hidden, April and the Extraordinary World with Sky Captain and the World of Tomorrow). And once again, I just couldn’t bring myself to knock off Psycho, even though it’s been at #365 for the last two years, so I moved it up a little for good measure.
Without further ado, I present my Top 365 Movie List, all of them true favorites. The rankings are all based on my personal tastes and opinions and could easily change with time. I’d love to hear your thoughts, opinions, and/or recommendations! After finding new favorites in unlikely places in 2018, who knows what might find its way on here a year from now? A very happy 2019 to all!
It’s hard to believe, but a whole other year has passed, and I find myself once again celebrating a Blogiversary. Has it really been five years since I started my original top 365 movie countdown?! It doesn’t feel like that long, but perhaps that just means I’m having fun. That must be it, because 2018 has been an especially good year for movie-watching, and as with every blogiversary before, it’s time to recap all the high points of the past year with (what else?) a Top Twelve List of the movies worthy of joining my Top 365 List!
Yet, while last year’s 35 additions were mainly in the latter half of the list, this year’s favorites climb a little higher. I, of course, liked my Top Twelve from last year, but this year’s additions have some new films I truly loved. As usual, several of them are from me playing catch-up on 2017’s releases, but even more are from 2018, and I couldn’t help but notice that none of the additions are from the 20th century. Hmm, I’ve got to fix that next year and see more older films.
As always, this is my personal opinion, and everyone is free to agree or disagree. I welcome any comments or recommendations, and I look forward to finding more movies worth loving next year.
Anyhoo, let’s get to the list itself and reminisce on the cinematic rollercoaster that was 2018.
As much as I enjoyed this second Ant-Man movie, I’m surprised it ended up as low as #12. After Infinity War’s epic doom and gloom, the MCU needed a little levity, and Ant-Man and the Wasp delivered an all-around fun thrill ride with one of the more satisfying endings in the franchise, at least until the after-credits scene. Luis saying “Whazzup!” still cracks me up.
This is only the first awesome animated film you’ll see on this list. Animation lovers mainly get their jollies from American or Japanese properties, so it’s nice to be reminded that Europe’s got game too. A steampunk adventure out of France that would make Miyazaki proud, April and the Extraordinary World offers an exciting blend of genres that feels fresher than the vast majority of recent animated fare.
Pixar hit it out of the park yet again with Coco, a fantasy tale of a Mexican boy visiting the Land of the Dead on Dia de Muertos. Boasting astounding new heights of CGI detail and a surprising amount of heart, Coco is proof that Pixar’s storytellers still know what they’re doing.
Last year, I caught up on the excellent Planet of the Apes remakes and this year decided to again tackle a series I’ve been unconsciously avoiding, the increasingly acclaimed Mission: Impossible franchise. To my surprise, they were even better than anticipated, and all of them from the third on (after J.J. Abrams got involved) are outstanding actioners. I think M:i:III is still my favorite for having the most personal stakes and the most satisfying ending.
Ah, the tearjerker makes its way onto the stage. As a fan of both fantasy and anime, as well as movies that earn the viewer’s tears, I was bound to love this film, and indeed its ending hit me harder than expected. Easily the most poignant film I saw all year.
Spider-Man: Into the Spider-Verse (2018)
I may have seen this animated Spider-Man extravaganza for the first time only a couple days ago, but it keeps getting better in my head. The rap music wasn’t my favorite, but everything else about this trippy cross-over adventure was so well-done that I can’t wait to see it again.
Darkest Hour isn’t great just for having one of the most transformative performances on film, courtesy of Oscar winner Gary Oldman. It’s also among the best biopics I’ve seen, giving a well-rounded view of Winston Churchill, sometimes as a demanding bully but more often as a persevering patriot, as well as a vulnerable human being in his most dire period. Especially as a companion piece to Dunkirk, it’s a fascinating piece of history eloquently told.
This year, Pixar once again pulled off the unlikely, offering a worthy sequel to one of their best films. Continuing the story of the Parr/Incredible family as they try to make superheroes legal again and face a mind-controlling threat, this is a great family film and ranks among Pixar’s best sequels.
This dystopian virtual-reality pop-culture treasure hunt was #1 on my list of films I hoped would be good at the beginning of 2018, and, thanks to Steven Spielberg and company, it was. True, it doesn’t quite measure up to the book, but the changes made sense as it offered up one geeky thrill after another.
If you had told me a year ago that I would be putting a zombie film on my list, I would never have believed it. I am by no means a typical fan of the genre, but no film kept me on the edge of my seat like this South Korean thriller. It’s an adrenaline-pumping fight for survival where things repeatedly go from bad to worse, but it’s paired with an affecting tale of a father trying to live up to his daughter’s expectations while saving her life.
I love musicals, and I insist that we need more original ones like The Greatest Showman. Not subtle or historically accurate enough perhaps to be considered Oscar material, it’s nonetheless a joyous film from start to finish, full of misfit empowerment, spectacular show tunes, and an undercurrent of family values. It leaves me smiling every time.
Well, Marvel pulled it off, the crowning glory of the MCU thus far. Infinity War is staggering in its ambition, juggling so many characters that it so easily could have turned into a jumbled mess in less skilled hands (ahem, DC), yet I’ve little doubt that the Russos surpassed everyone’s expectations. The ending still stings, and my continued appreciation of this movie will likely depend on how well Endgame completes it in the coming year, but for now Infinity War still amazes. I’ve heard it called this generation’s Empire Strikes Back, and I don’t disagree.
So that’s the Top Twelve, but here are the other films that made it onto my Top 365 Movie List this time around. Keep in mind that I do group most franchises together, which is the only reason I made Pirates of the Caribbean: Dead Men Tell No Tales List-Worthy, since it continued the original trilogy. I also group certain similar films together, so Sky Captain and the World of Tomorrow will be paired with April and the Extraordinary World, while A Quiet Place will pair with Hidden.
And last comes the difficult part, figuring out which entries on my current List will have to be displaced by these new additions. This always hurts since I still love all these movies, but it’s a necessary evil for me as a list nerd. The following are the (still great) films that sadly bit the dust:
I’ll be posting the updated List tomorrow. Again, I wish to thank everyone who has taken the time to read my poetry or film ramblings and leave a like, follow, or comment in the past year (and especially anyone who is still reading this long post)! I can’t wait to see what the year ahead holds. A very Happy New Year to all!
P.S. And here’s a little montage video I found to sum up 2018 in film:
This is one of those lists for which the concept just came to me out of nowhere and niggled in my brain until I finally had enough for a list. Why? Because robotic arms are just cool, that’s why. While sometimes perceived as an encroachment of technology replacing the human person, they’re usually used as impressive enhancements indicating the technological progress of their owner’s futuristic setting. They’re also a convenient replacement that serves as an ever-present reminder of the trauma of a lost limb. For those who have lost a limb, I look forward to the day when fully functional limbs comparable to the real thing are actually a reality, though that might be a mixed blessing, as you can see in this very dark animated short film.
As for this list, I had to go outside my typical realm of movies in order to get a full twelve. I had considered forgoing the robotic part and sticking instead with any prosthetic arm (think Dr. Strangelove, The Fugitive, and The Best Years of Our Lives), but that’s a list for another time. Eschewing realism, we’re sticking with fully functional robotic limbs, with my selection aided by the likes of television and anime. I’m also not counting characters who are more robot than human, so don’t expect to see the Terminator, Robocop, or DC’s Cyborg on here, despite the fact they technically fit the theme. Thus, here are my Top Twelve characters with robotic arms:
Jet Black – Cowboy Bebop
As the captain of the Bebop, Jet Black is the most level-headed and fatherly member of his crew of interplanetary bounty hunters. A cop before being betrayed by his partner and losing his arm, he keeps his cybernetic replacement limb as a reminder of his former life and mistakes.
Andy Serkis’s Klaue lost his arm to Ultron’s rage in Avengers: Age of Ultron, but in Black Panther he got a fancy vibranium one complete with a laser cannon. Too bad he didn’t stick around long enough to use it more.
Yang – RWBY
This is sort of a spoiler for anyone who hasn’t watched Rooster Teeth’s ongoing animated web series, but Yang (the Y in the title RWBY) meets the wrong end of a sword and is dis-armed rather traumatically at one point. After a tough time healing, though, she’s come back strong with a cutting-edge replacement.
Finn – Adventure Time
This might also count as a spoiler, but Finn, the human main character of Cartoon Network’s hit Adventure Time, also misplaces his arm, several times actually. After one replacement made of cursed grass turned into a clone of him (this is a weird series), he finally went with a mechanical upgrade, just like his counterpart from another dimension.
Claw – Inspector Gadget
Whether it’s Rupert Everett in the first live-action film or his animated counterpart, Dr. Claw is Inspector Gadget’s most dangerous nemesis and gets this high on the list based on pure nostalgia. Yes, I realize the claw might be considered a hand prosthetic rather than an arm, but I’m allowed to fudge now and then.
Violet Evergarden – Violet Evergarden
The title character of Netflix’s recent anime series Violet Evergarden is a traumatized former child soldier who, after the war’s end, finds a new life as a professional letter writer. Having lost both of her arms, her two mechanical limbs are both strong and remarkably adept at activities like typing on a typewriter. It’s really a good and poignant series, with the tenth episode being one of the most emotional episodes of TV I’ve seen.
In most cases of replacement limbs, suspension of disbelief is required since their operation should involve complicated nerve links and such, so I have no idea how Furiosa’s mechanical forearm that straps into place is supposed to function. But it does, and it makes her that much cooler.
I never said someone on the list couldn’t also have a robotic leg. I hold that Treasure Planet is much better than the gimmicky update some critics called it, and turning Treasure Island’s one-legged pirate into a cyborg was an inspired addition, as well as a neat way to work in CGI to the 2-D animation.
Edward Elric – Fullmetal Alchemist franchise
Here’s another character with a robotic arm and leg, both made out of a material called automail. The adventure of the Elric brothers in this hugely popular anime franchise all stems from an alchemy experiment gone wrong that claims two of Edward’s limbs and his brother’s whole body. Good thing he has access to automail prosthetics, which help facilitate all the fantasy action for which the series is known.
I’ll be honest. I sort of developed this list around Bucky. Captain America’s friend-turned-brainwashed-enemy-turned-friend-again was the first character I thought of, with the best robotic arm of recent years. Time will tell if Rocket ever gets his hands on it.
Remember I said I could fudge? Sure, you could say Doc Ock’s robotic appendages are tentacles rather than arms, but the fact that they’re fused to his spinal column makes them limbs in my eyes, and he sure knows how to use them.
Most nerds out there probably saw this one coming. I couldn’t choose between father and son, so both Skywalkers share the #1 spot. If you have to lose a limb, light sabers are probably the safest way for it to happen, and at least the Star Wars universe has handy life-like replacements on demand. One day, perhaps we’ll get to that point too. (I can dream, can’t I?)
And here are some prosthetic runners-up worth mentioning:
Tetsuo from Akira – Tetsuo builds himself a robotic arm with his psychic powers, though it doesn’t go well afterward.
Combustion Man from Avatar: The Last Airbender – A bounty hunter after Aang has both a third eye and a mechanical forearm.
Cable (Josh Brolin) from Deadpool 2 – Cable didn’t make the list because I have not seen Deadpool 2, but he’s still worth a mention.
Detective Spooner (Will Smith) from I, Robot – Despite hating robots, Spooner has a bit of robot himself.
Tee Hee (Julius Harris) from Live and Let Die – I barely remember this James Bond movie, but apparently there’s a henchman with a pincer hand?
Kushana from Nausicaa of the Valley of the Wind – The antagonist from this Miyazaki classic has removable hands thanks to some giant killer bugs.
Jonah (Beau Knapp) from The Signal – Alien experiments give abductees strange prosthetics in this sci-fi.
Thanks for reading my random nerdy list! Let me know what you think and feel free to tell me of any other robotic arm owners I may have forgotten.
I know, I know; it’s almost the middle of 2018, and I’m just now getting around to a list of 2017 movies? Yep, that’s right. I’ve never been the type to immediately see every movie out in the theater, even since starting this blog, and, except for certain blockbusters, I typically have no qualms about waiting for the DVD or a second-run showing.
On top of that, Oscar season is rarely as appealing to me as it is to many bloggers. I was impressed with the 2016 Oscar season and did the list for that year shortly after the Academy Awards ceremony, but 2017’s awards contenders didn’t hold as much interest for me, which is why you won’t notice as many Oscar nominees below. Boy, it almost sounds as if I don’t even like movies, but it’s not true, I tell you!
All that to say that I’ve taken my time catching up on 2017’s offerings, and, with 2018 shaping up to be a strong year as well, I think I’m finally ready for a 2017 list of my own, which perhaps reflects my geeky and less-than-critical tastes. All of the Top Twelve made it onto my Top 365 List, and several of the runners-up came quite close. Like last year, I’ll start with the lower films still worth seeing and work up to #1. Keep in mind that these are only my personal favorites and that there are plenty of films I’ve still yet to see, so feel free to recommend your own faves. Time for a walk down recent memory lane.
R-rated comedies usually aren’t for me, but Kumail Nanjiani’s semi-autobiographical account of his romance with wife and co-writer Emily V. Gordon had plenty of heart and insight to balance out its needless profanity. Both Nanjiani as himself and Zoe Kazan as Emily bring an authenticity to the strain of a sudden medical crisis, coupled with Nanjiani’s struggles with his Muslim family, while Holly Hunter and Ray Romano turn in fantastic supporting performances as Emily’s stressed parents. I rather wish this had won the Best Original Screenplay Oscar.
You might notice a partiality for superhero movies in this part of the list. True, 2017 wasn’t the strongest year for the genre, but its offerings were still consistently entertaining, even as popcorn fluff. Diverging entirely from the established tone of the series, Taika Waititi brought a uniquely absurd sense of humor to Thor, which may have cheapened some of the stakes but still made for a fun ride and a great addition to the MCU in Tessa Thompson’s Valkyrie.
Well, DC proved me wrong. After I was largely unimpressed by the dreary Batman v. Superman, Wonder Woman showed a better side of the DC universe through a period piece a la The First Avenger. Gal Gadot effortlessly filled an iconic role and, with strong support from Chris Pine, showed us a moving superhero origin story to rival Marvel’s juggernauts. The overblown climax is a bit messy, but the scene at No Man’s Land alone was worth the price of admission.
I’m honestly surprised that I liked Homecoming as much as I did, since I still consider Tobey McGuire the cinematic Spider-Man. But you could say that I don’t mind a new generation growing up with Tom Holland as the webslinger. Instead of the origin story we’ve already seen twice, Homecoming centers on the formative years of Peter Parker as a teenage hero under Tony Stark’s wing, and its high-school focus and light-hearted tone made it work as a different version of Spider-Man that I could still buy into (as long as that new generation still watches the original trilogy).
I got to catch up with the whole modern Planet of the Apes trilogy last year, and I was shocked that it was as good as everyone said. War for the Planet of the Apes may be the bleakest of the three, but the intelligence and nuance of the first two films are compounded here with Caesar’s apes facing a fanatical human threat. Its CGI is jaw-dropping and its battles and prison escape scenes keep it entertaining, but the moral themes of suffering and empathy are what make this resonate more than your typical blockbuster.
Maybe revolutionizing the war genre is overstating it, but Christopher Nolan turned the evacuation of Dunkirk into an impressively mounted puzzle, split into time-dilated thirds. Seeing it in the theater, the sense of tension was almost constant, and even if the individual characters weren’t as developed as I would have liked, it was riveting to watch all the pieces come together so masterfully.
This one may be a bit of a cheat since it’s technically from 2016, but it was only shown at two film festivals in New Zealand and Austin, so 2017 was the first chance I would have gotten to see it anyway. I love films that weave together character stories in unexpected ways with a little bit of the supernatural thrown in, and that’s exactly what Chronesthesia does. Hayden J. Weal does triple duty directing, writing, and playing the misanthropic main character, who wakes to find mysterious messages that help him meet and connect with others. Despite not even having a Wikipedia page, it’s a beautifully human film that’s more about compassion, romance, and empathy than the mental time travel its name suggests.
Everyone loves the first Guardians, but I think Vol. 2 was even better, aided by having an already established cast that received greater development on top of all the sarcastic banter, sci-fi coolness, and ‘70s throwback tunes. Kurt Russell made for a great antagonist, and Yondu’s role provided one of the most bittersweet endings in the Marvel canon.
Darkest Hour is more than just a showcase for Gary Oldman’s stupendous turn as Winston Churchill; it’s one of the best biopics I’ve seen, bolstered by transportive cinematography and a wittily cracking script. There’s a reason Oldman was a shoo-in for Best Actor, and he truly disappears into the role, showing Churchill at his worst, his best, and his most desperate. Coming out the same year as Dunkirk, it’s also cool to see the same events from a different perspective.
Even with the over-reliance on sequels in recent years, Coco proves that Pixar’s still got it. I was nervous since the story of a Mexican boy transported to the Land of the Dead seemed too similar to The Book of Life from three years earlier, but Coco is better in every way and far from a copycat. It’s a love letter to family, music, Mexican culture, and lost loved ones, and a stunningly animated adventure to boot.
Have I mentioned that I love musicals? Every now and then, someone tries to remind Hollywood that there is a market for well-done musicals, and along with Les Misérables and La La Land, I can only hope The Greatest Showman will convince them to make more. This was one of those rare theater experiences where I loved every minute, from Hugh Jackman’s charismatic P.T. Barnum to the exuberant choreography to the brilliantly catchy songs by Pasek and Paul. Perhaps not the most historically accurate film out there, but I still loved it.
That’s right. If any Last Jedi haters are reading this, yes, I think The Last Jedi was awesome. Whoo, glad I got that off my chest. But seriously, I don’t understand the backlash this movie has gotten, because even after hearing a lot of mixed reviews, I went in and loved it. What amazes me even more is that they did to Luke exactly what I didn’t want a year ago, but the rest was so entertaining that I didn’t mind much, though my opinion still hinges somewhat on how Episode IX continues the story. Last Jedi had some of the coolest scenes in any Star Wars film, and I look forward to seeing what else director Rian Johnson is cooking up for his own trilogy.
So that’s the list. As I said, there are still plenty of movies yet to see, so this is still a work in progress. If I could redo my 2016 list, it would look rather different now that I’ve seen some more worthwhile gems (hmm, maybe I should update it), and the same will likely be true of this 2017 list. Let me know what you think and whatever recommendations from last year you might have, and I’ll be right here planning the list for 2018. We’re only halfway through the year, and it’s already looking good!
When it comes to specific artists, I tend to only do Top Twelve lists for my all-time favorites, such as Lindsey Stirling and Coldplay, and even without the sad news of Avicii’s death on April 20, he would have gotten a Top Twelve from me eventually. Due to his passing, though, now seems like the best time to honor this giant of EDM music. (That’s Electronic Dance Music, for the uninitiated.)
When celebrities die, it usually doesn’t hit me personally. It’s sad, and I have sympathy for those who are hit hard, but the grief that many showed over David Bowie or Chester Bennington wasn’t the same for me because I wasn’t a fan of theirs at the time. But in this case, I listen to Avicii’s songs on a daily basis so not since Robin Williams committed suicide has a celebrity death saddened my heart this much, and it’s even sadder that, after many health issues, Avicii reportedly took his own life as well, at only 28 years old no less. I’m not even the hard-partying type or one to go “clubbing,” but I know a jam when I hear it.
Avicii, or Tim Bergling, was a Swedish DJ and producer with a prolific discography of electronic hits. I’ve even turned my mom into an EDM fan thanks to his repertoire of electronic earworms. He had a talent for finding just the right combination of notes for a brilliantly catchy hook that gets the head bopping and that lives on in the memory. That’s where Avicii will live on through his music, and his talent will be sorely missed.
12. “Heaven”
Apparently one of Avicii’s last tracks, “Heaven” has still not been released officially, but it shows his talent certainly wasn’t waning at the end. The lyrics “I think I just died and went to heaven” make me suspect that he knew what he was going to do long before his death.
11. “Waiting For Love”
Avicii has a wealth of great lyrics, but I especially love singing/listing the days of the week in this toe-tapping jam.
10. “We Write the Story” (collaboration with Benny and Bjorn of ABBA, with choir)
When I heard this, I thought it sounded like the theme for an Olympic ceremony, and close enough, it boasted a unique rock opera grandeur as the opening anthem for the 2013 Eurovision Song Contest (which I hadn’t heard of till recently but is apparently a huge deal in Europe, having been televised for the last sixty-two years).
9. “I Could Be the One” (with Nicky Romero)
Sadly, the head-banging climax at the end isn’t nearly long enough.
8. “Without You” (featuring Sandro Cavazza)
This was #3 on my Top Twelve List of 2017 Songs, and it’s also special to Norwegian DJ Kygo (another favorite artist of mine), who played it recently at Coachella as a tribute to Avicii.
7. “Broken Arrows”
Between the inspirational music video, the endlessly catchy hook, and country-ish vocals from Zac Brown, this song should absolutely have earned more notice.
6. “The Days”
Sometimes Avicii’s songs end too soon, but with two verses and a climax, “The Days” feels like one of his most complete songs, at least to me.
5. “Lay Me Down”
Why the heck was this not all over the radio? Sung by Adam Lambert, it makes me want to find the nearest dance floor.
4. “Hey Brother”
I think I’ve come to realize that I really enjoy the genre mix called “folktronica,” and “Hey Brother” is an outstanding example. In 2014, it was Avicii’s last song to place in the U.S. Top 40 charts.
3. “Levels”
“Levels” is where Avicii and EDM as a whole started to earn some real notice outside their niche. Sampling “Something’s Got a Hold on Me” by Etta James (which has been sampled elsewhere as well), “Levels” boasts one of Avicii’s most recognizable riffs and my favorite video of his and is often ranked as his best work (and my mom’s favorite too). Except for “Sunshine” with David Guetta, it’s also his only song to warrant a Grammy nomination, which doesn’t say much for the Grammies if they can’t award a song and artist who clearly deserved more.
2. “Wake Me Up” (with Aloe Blacc)
Not too long ago, this folktronica hit would have been an effortless #1, but it’s been barely edged out, maybe because I’ve heard it so darn much. This is easily Avicii’s most played song on the radio and placed #1 on my Top Twelve List of Head-Banging Songs.
1. “The Nights”
The more I hear “The Nights,” the more I love it! Written with and sung by Nicholas Furlong, it’s more progressive house mixed with folktronica and just a little bit of a Celtic lilt. The lyrics put it over the edge for me and carry even more emotional weight now that Avicii is gone. “One day, you’ll leave this world behind, so live a life you will remember.” He did, and we’ll remember for him.
Runners-Up (from next to least favorite and not counting remixes):
“Fade into Darkness”
“For a Better Day”
“Sunset Jesus”
“I’ll Be Gone” (still unreleased)
“Last Dance”
“Lonely Together” (featuring Rita Ora)
“Seek Bromance”
“City Lights”
“You Make Me”
“Faster Than Light”
“Somewhere in Stockholm”
“Sunshine” (with David Guetta)
“Dear Boy”
“Friend of Mine”
“X You”
“Taste the Feeling” (with Conrad Sewell)
“Liar Liar”
“You Be Love (with Billy Raffoul)
“Heart Upon My Sleeve”
“Stay with You” (with Mike Posner)
“Addicted to You”
“Dancing in My Head” (with Eric Turner)
“Silhouettes”
Farewell, Avicii. May you rest in peace.
For the end, here’s one man’s brilliant remix of Avicii’s biggest songs, showing how he’s still inspiring his fans.
